The focusing points are not only numerous, they are high quality: 41 are cross-type, and 5 of those are dual-diagonal, high-precision, allowing the camera to quickly pull focus on virtually any type of detail. Instead of settling for the outstanding 19-point (all cross-type) AF system of the 7D, they gave the 5D Mark III the 61-point (41 cross-type) of the Canon 1D X, probably the most sophisticated AF system on the market today. In this regard, Canon has our exceeded expectations. For years, many 5D Mark II owners have been hoping that Canon would produce a new version of the camera with the robust AF system of the EOS 7D. AF on the Mark II is simply not fast, accurate, or reliable enough for professionals shooting sports, high-speed action, or any low-light events involving a lot of action. Furthermore, despite its imperfections, it has been used by thousands of wedding and event photographers for years, and many of them have produced remarkable work, even in difficult conditions.īut for every great shot captured, there have also been great shots lost due to focus problems. In a studio environment, it works well… and for most landscape and natural-light portraiture, it’s great too. Still, it performs well in most circumstances. Those of you who use the 5D Mark II (or the Rebel T2i/T3i, which use the same basic AF system) are probably already aware of its limitations: it only has 9 AF point, and only one of them uses a reliable cross-type sensor. The auto-focus system is the easiest place to start because it’s where we find the greatest contrast between the two cameras. h264 codec with choice of 2 compression types:Ģ.ALL-I, higher image quality, larger file size ![]() If you find yourself asking “Should I buy the Canon 5D Mark III or the 5D Mark II“, the answer will probably come down to an assessment of your shooting style in conjunction with the three major differences between the cameras: the sensor, the auto-focus system, and the processor.īefore looking at these three factors, though, it may be helpful to get an overview of the differences between the cameras’ specs: After all, $1300 is not a trivial amount of money it represents a 70-200 f/2.8L (or numerous other excellent lenses), or an Elinchrom Ranger kit, for example. Whether you’re buying your first 5D series camera, or you’re considering the upgrade from your 5D Mark II, the decision is equally difficult. Since the still-impressive 5D Mark II is staying in the Canon lineup (at a reduced price: $1,499.95), we must consider who would benefit from spending the extra $1300 on a 5D Mark III. With the unveiling of Canon 5D Mark III, photographers have a difficult new decision to make.
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